Jo Caimo for iii

Jo Caimo is a visual artist, composer, performer and musician. He studied media-art at KASK Ghent Belgium. He works with reporting, sound recording, video installation, Gesamtkunstwerk, performance, internet based things. He uses music and new media as a basis to make spatial work. New mainstream media like Skype, bluetooth, html, Wifi, and 3G are used by him in several ways.

His work will be presented during No Patent Pending #22 at Quartair in The Hague on April 10th 2016 and at No Patent Pending #23 on April 13th in Amsterdam.

The residency is a cooperation with the Brussels-based platform for Sound Art Overtoon, where Jo Caimo is also in residence in 2016.

Patrizia Ruthensteiner for iii

Patrizia Ruthensteiner is an interdisciplinary artist from Vienna. She creates costumes from parallel universes in which predetermined valuations of subjectivity and physical form are pushed into absurdity. She aims to reverse common concepts of what is defined as plant, animal, human or inanimate, blurring the boundaries of life, theatre, performance, architecture, fashion and sound art.

During the residency Patrizia Ruthensteiner will work on further developing the project Magnetoceptia, initiated in Vienna in 2015 in cooperation with Dewi de Vree.

The outcome of the residency will be presented during the following public activities:

In Praise of Shadows, SIGN, Groningen, April 2016

No Patent Pending #22, Quartair, The Hague, April 10th 2016

No Patent Pending #23, Tetterode, Amsterdam, presented by Kulter, April 13th 2016

Yung-Hung WANG for KORZO

In the context of establishing an exchange project with Taiwan, Korzo Theatre invited Yung-Hung Wang for a two-month residency.  Wang is a producer and sound artist from Taipei and manager of the Guling street avant-garde theater. During his stay he is researching the performing arts environment in Den Haag mainly aiming to gain more insight into theatre and sound art productions here.

Jamie Allen and Will Schrimshaw for iii

Jamie Allen and Will Schrimshaw work as artists, researchers, musicians and educators. Through performance, installations and workshops their collaborative work explores noise as a source of creative potential. As improvisers they work with white light, handmade synthesizers and drums.

Jamie Allen
Born in Canada, and working between New York, the UK, Copenhagen and Basel, Jamie has been involved with emerging technologies as a designer, researcher, artist and teacher for over 12 years. He likes to make things with his head and hands – investigations into the material systems of media, electricity, and information. His work has been exhibited internationally, from Eyebeam in NYC, to the Foundation for Art and Creative Technology in Liverpool, to SIGGRAPH Asia in Yokohama, Japan.

Will Schrimshaw
Will Schrimshaw is an artist and researcher from Wakefield based in Liverpool. His work is broadly concerned with the subliminal influence of backgrounds, ambiances and atmospheres, with the often imperceptible determinants of space and place. In 2011 he completed a PhD in Philosophy and Architecture at Newcastle University, focusing upon ideas of acoustic space and auditory influence within architectural and artistic practice. He teaches courses on sonic interaction and sound design and has completed a number of residencies, solo and group exhibitions, performances and workshops across the globe.

Public activities connected to the residency:
Jan 10 – Reading Room #6 Noise as Pure Potential  at Stroom Den Haag, The Hague
Jan 10 – Pure Potential performance during No Patent Pending #18 at Quartair, The Hague
Jan 14 – Reading Room #7 Subtraction and Differentiation at Stroom Den Haag, The Hague
Jan 16 – Pure Potential concert, OCCII, Amsterdam

Greg Miller and Tracey for Film Rescue International

Greg and Tracey are in here to visit their EU partner company, Super 8 reversal lab, to work on special processes for expired film. Some of the processes that they were doing in Canada are being moved to Den Haag. The processing of long expired film is a unique and sensitive thing. Film Rescue International is the largest most specialized company on earth doing this work. Recently, Film Rescue International has been working with The Discovery Channel on a segment for the show "the Daily Planet" about the company and unique work that they do. Along with the huge amount of work they get from families cleaning out estates after a death in the family, they also work with artist who are interested in shooting expired film for a specific look. During their Greg will also attempt to meet up with some local artist and share ideas on low light long exposure photography.

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